Abstract
This thesis examines Ibn al-Fāriḍ’s Naẓm al-Sulūk and its earliest commentaries by al-Farghānī (d. 700/1300) and al-Tilimsānī (d. 690/1291) through the analytical framework of the mystical soundscape. Rather than treating the poem and its commentaries as static texts, it argues that meaning in this corpus emerges as an experiential and perceptual event sustained through sound, silence, and reception. The mystical soundscape is conceptualized as comprising two interrelated domains: a silent soundscape, formed through reading, memory, imagination, and conceptual engagement; and an audible soundscape, formed through recitation, pronunciation, rhythm, and communal audition. These domains are linked by the experience of bewilderment (ḥayra) as a central apophatic mode of knowing. Chapter One reads Naẓm al-Sulūk as a silent mystical soundscape, showing how its poetic lexicon, structure, and sonic ambiguity enact apophatic experience rather than merely describing it. Chapter Two analyzes al-Farghānī’s commentary as a conceptual extension of this soundscape, in which poetic ambiguity is preserved through apophatic exposition. Chapter Three examines al-Tilimsānī’s commentary as a sonic intervention that regulates pronunciation and audition, mediating the poem’s reception within communal and performative contexts. Together, these layers reconceive Naẓm al-Sulūk and its commentaries as a dynamic mystical soundscape in which meaning remains active, contested, and continually re- experienced. By foregrounding soundscape as a methodological orientation, the thesis contributes to studies of Sufi poetry, commentary, and reception history by challenging rigid binaries between text and orality, doctrine and experience.
School
School of Humanities and Social Sciences
Department
Arab & Islamic Civilizations Department
Degree Name
MA in Arabic Studies
Graduation Date
Spring 6-2026
Submission Date
2-12-2026
First Advisor
Ahmad Khan
Committee Member 1
Adam Talib
Committee Member 2
Richard McGregor
Extent
86 p.
Document Type
Master's Thesis
Institutional Review Board (IRB) Approval
Not necessary for this item
Disclosure of AI Use
Thesis text drafting; Thesis editing and/or reviewing
Recommended Citation
APA Citation
Aboulwafa, S. M.
(2026).The Mystical Soundscape and The Functions of Commentaries on Ibn AL-FĀRIḌ’S (d. 632/1235) NAẒM AL-SULŪK [Master's Thesis, the American University in Cairo]. AUC Knowledge Fountain.
https://fount.aucegypt.edu/etds/2747
MLA Citation
Aboulwafa, Sherine Mohsen. The Mystical Soundscape and The Functions of Commentaries on Ibn AL-FĀRIḌ’S (d. 632/1235) NAẒM AL-SULŪK. 2026. American University in Cairo, Master's Thesis. AUC Knowledge Fountain.
https://fount.aucegypt.edu/etds/2747
Included in
Arabic Language and Literature Commons, Intellectual History Commons, Islamic Studies Commons, Medieval History Commons
