Becoming women: Gender and religion/culture in novels by Nawal El Saadawi and Gabriel García Márquez
Abstract
This study examines male characters' subjugation of women through religious discourse as a validating institution. Two third world writers' works, Nawal El Saadawi's The Fall of the Imam and Gabriel García Márquez Chronicle of a Death Foretold, explore this subjugation through the social construction of religion, resulting in the preservation of "discourses" such as religion over the years. I use Simone de Beauvoir and Edward Said's theories in my study of how women came to be identified with inferiority while men came to be identified with superiority. Beauvoir's theory addresses women and men directly, focusing on how societies shape women, classifying them as the "second sex" and men as the first and superior sex. Said addresses the feminized Orient, where his political discussions of the Occident-Orient relationship bring out how the stereotypical image of the inferior Orient came to be. In addition, I refer to Michel Foucault's concept of "discourse" to help in reaching the roots of the embeddedness and solid position of social constructions and their upholding through knowledge and history, along with Giambattista Vico's notion of history, too. El Saadawi focuses on presenting religion as a daily tool that governs the community while García Márquez uses religion as a tool to promote the entrenched cultural traditions that the community has no choice but to abide by. The study aims to present the ongoing error of attempting to gain equality between both genders when there should be an acceptance of the differing roles, however, without hindering the progress or success of any of the two genders.
Department
English & Comparative Literature Department
Degree Name
MA in English & Comparative Literature
Graduation Date
2-1-2018
Submission Date
September 2017
First Advisor
Abdel Nasser, Tahia
Committee Member 1
Ghazoul, Ferial
Committee Member 2
Soliman, Mounira
Extent
73 p.
Document Type
Master's Thesis
Rights
The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy.
Institutional Review Board (IRB) Approval
Approval has been obtained for this item
Recommended Citation
APA Citation
Abd Rabouh, S.
(2018).Becoming women: Gender and religion/culture in novels by Nawal El Saadawi and Gabriel García Márquez [Master's Thesis, the American University in Cairo]. AUC Knowledge Fountain.
https://fount.aucegypt.edu/etds/411
MLA Citation
Abd Rabouh, Sherin Hany. Becoming women: Gender and religion/culture in novels by Nawal El Saadawi and Gabriel García Márquez. 2018. American University in Cairo, Master's Thesis. AUC Knowledge Fountain.
https://fount.aucegypt.edu/etds/411
Comments
First and foremost I would like to thank my supervisor, Dr. Tahia Abdel Nasser, for her effort, patience and motivation. Her constructive feedback and aspiring guidance steered me in the right direction throughout my research and writing process. I would, also, like to thank Dr. Ferial Ghazoul and Dr. Mounira Soliman for providing me with valuable comments and academic support to successfully complete my dissertation. Also, many thanks to Ola Shanab and Omneya Ali for always being of great help, on a personal and academic level. I would like to acknowledge and thank my family and friends for their unconditional support. I would especially like to thank my father for always believing in me, my mother for her wise counsel and my brother for helping me approach difficulties with a positive mindset. I owe a debt of gratitude to my grandfather who continues to inspire me in my life and studies. I would also like to thank Nada Hemamy, Mariam Salem, Farah Geninah, Sarah Mahmoud and Fatma Massoud for their ongoing encouragement and help.