Abstract
The moulid—a popular festival in Egypt that celebrates venerated figures—has become an object of sanitization and ritualization by the state and state religion. The moulid has become an opposite figure of modernity. It has become meaningful as a familiar irrational messy thing that confuses rational knowledge about the moulid. Rather than abstracting the meaning of the moulid as something senseless, the thesis illuminates how messiness generates meaningful knowledge. The thesis immanently plunges in the moulid to trace how through materials, objects, and bodies the festival comes into being. In telling a material story through participant observation and in taking Ingold’s dwelling perspective, the thesis questions how nonhuman stories can make the stories of humans leak to arrive at a singular new material anthropology of the moulid. By attending to mimetic things, the thesis unearths the modern claim on the emancipatory nature of reason. The thesis defamiliarizes the modern human mapping that univocally categorizes the moulid by exploring how the moulid defies any norm referent in its multivocality. One of its senses shows how the moulid has become an inhabitable ground for the creation of public art, without the thesis assuming public space to be a given. The thesis conceptualizes the moulid as a landscape that explores its potentialities to articulate an otherwise to modern capitalism in order to express an immanent ethics of joyful hope amidst a necropolitical temporality.
School
School of Humanities and Social Sciences
Department
Cynthia Nelson Institute for Gender and Women's Studies
Degree Name
MA in Gender & Women's Studies
Graduation Date
Spring 5-31-2020
Submission Date
5-31-2020
First Advisor
Rieker, Martina
Committee Member 1
Sabea, Hanan
Committee Member 2
Khayyat, Munira
Extent
310 p.
Document Type
Master's Thesis
Rights
The American University in Cairo grants authors of theses and dissertations a maximum embargo period of two years from the date of submission, upon request. After the embargo elapses, these documents are made available publicly. If you are the author of this thesis or dissertation, and would like to request an exceptional extension of the embargo period, please write to thesisadmin@aucegypt.edu
Institutional Review Board (IRB) Approval
Approval has been obtained for this item
Recommended Citation
APA Citation
Van Coillie, M. L.
(2020).Toy-stories of the (im)material life of things: public art of becoming in the moulidbodies, objects, mimesis [Master's Thesis, the American University in Cairo]. AUC Knowledge Fountain.
https://fount.aucegypt.edu/etds/1752
MLA Citation
Van Coillie, Marlies Lieve T.. Toy-stories of the (im)material life of things: public art of becoming in the moulidbodies, objects, mimesis. 2020. American University in Cairo, Master's Thesis. AUC Knowledge Fountain.
https://fount.aucegypt.edu/etds/1752
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.