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Theses/Dissertations from 1972

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An experiment in the use of Cloze tests to measure the English language proficiency of non-native speakers, Phyllis Ann Abd-El Al

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The myth of the fall and the road to redemption: the meaning of Hawthorne's heroes, Zainab Taji Farouki

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A description and comparison of the interrogative in English and colloquial Egyptian Arabic, Johan Girgis

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Faulkner's treatment of time in The sound and the fury and The bear, Nevine Aly Hussein

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Troilus and Cressida: a monetheistical view: a monetheistical view, Faiza Ahmed Kamel

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Symbolic interactionism: an alternative basis for the teaching of second languages, Audrey E Hamblett Kennedy

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Christopher Marlowe : a dichotomy of elements in Dr. Faustus, Amal Fouad Mikhail

Theses/Dissertations from 1971

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Pinter's dramatic technique, Amal Kary

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V. K. Ratliff and spiritual eupepsia, Saneya Shaarawi Lanfranchi

Theses/Dissertations from 1969

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A study of Virginia Woolf's "Between the acts", Rhoda Gordon Amine

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The interference of Cairo colloquial Arabic verb system with the English verb system, Mohamed Sami Anwar

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The confirmation of meaning in imaginative literature, Mary M. Bromell

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Contrastive study of the consonant blending Features of Cairo Egyptian Arabic and standard American English, Barbara Jean WIchian Gadalla

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The effect of transformational load on short-term memory for English sentences by native speakers of Arabic, Madeline Haggan

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Pope and metaphysical poetry, Chafika Soliman Hamamsy

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Perception and articulation difficulties of Cairene Arabs learning English segmental phonemes, Margaret Heiss Moustafa

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A study of conflict and resolution in Aeschylus' and Shelley's treatments of the Prometheus myth, Rafida A Shukairy

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T. S. Eliot, images of reality in his poems and plays, Carmen Weinstein

Theses/Dissertations from 1967

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Evelyn Waugh, the satirist, Riccardo Andretta

Theses/Dissertations from 1963

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The historical importance of the works of Walter Pater, Mohamed Amr Barrada

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Elements of existentialism in some American novels, Wagiha El Shiati

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Henry James: The "rehearsal" for The portrait of a lady, Jack Mardick Guiragossian