Lope de Aguirre, the Tyrant, and the Prince: Convergence and Divergence in Postcolonial Collective Memory
Author's Department
Rhetoric and Composition Department
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https://doi.org/10.1080/17513057.2012.705311
Document Type
Research Article
Publication Title
Journal of International and Intercultural Communication
Publication Date
11-1-2012
doi
10.1080/17513057.2012.705311
Abstract
In Latin America, collective remembering is shaped by stories of colonizers whose voracious ambitions left an indelible mark on the landscape and its people. This essay examines a set of narratives about a legendary colonizer, Lope de Aguirre, that continue to be invoked in the collective imagination on the island of Margarita, in Venezuela. Drawing on Bormann's Symbolic Convergence Theory and Bakhtin's work on cultural discourse, this analysis shows that on the one hand, the narratives converge to support official records of Aguirre as an archetype of colonial brutality. Yet on the other, alternate versions of the stories reveal a more discordant picture, one that complicates Aguirre's character and reevaluates his influence on the island and in the wider context of Latin America. © 2012 Copyright National Communication Association.
First Page
291
Last Page
308
Recommended Citation
APA Citation
Estava Davis, J.
(2012). Lope de Aguirre, the Tyrant, and the Prince: Convergence and Divergence in Postcolonial Collective Memory. Journal of International and Intercultural Communication, 5(4), 291–308.
10.1080/17513057.2012.705311
https://fount.aucegypt.edu/faculty_journal_articles/637
MLA Citation
Estava Davis, Jennifer
"Lope de Aguirre, the Tyrant, and the Prince: Convergence and Divergence in Postcolonial Collective Memory." Journal of International and Intercultural Communication, vol. 5,no. 4, 2012, pp. 291–308.
https://fount.aucegypt.edu/faculty_journal_articles/637