Abstract

Since the Iranian Revolution of 1979, women have been legally prohibited from singing or playing a musical instrument solo in public. The government has sought to control women’s performative space by using concepts of permissibility and ideological compatibility. In the past decade, however, Iran has seen the birth of an underground music culture, in which women sing and play illegally. Underground and diasporic female musicians have carved new spaces that subvert state regulations on cultural purity and nationalism, deterritorializing and deconstructing notions of national space and culture. Women musicians have thus demonstrated the failure of the state to successfully regulate performative space.

Department

Middle East Studies Center

Degree Name

MA in Middle East Studies

Graduation Date

Spring 4-2012

Submission Date

4-2012

First Advisor

Dr. Amy Motlagh

Committee Member 1

NA

Committee Member 2

NA

Extent

158 leaves

Document Type

Master's Thesis

Rights

The American University in Cairo grants authors of theses and dissertations a maximum embargo period of two years from the date of submission, upon request. After the embargo elapses, these documents are made available publicly. If you are the author of this thesis or dissertation, and would like to request an exceptional extension of the embargo period, please write to thesisadmin@aucegypt.edu

Institutional Review Board (IRB) Approval

Not necessary for this item

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