Epistemological Intersections: Anthropology and Art - From Archive to Art Film: A Palestinian Aesthetics of Memory Reviewed
Files
Department
Cairo Papers in Social Science
Abstract
This collection of essays builds on presentations and debates that were part of Cairo Papers 19th Annual Symposium, “Sights of Knowledge: Debates about Visual Production in the Middle East,” held in spring 2010. It also integrates commissioned contributions by other authors to reflect the wide scope of visual productions and engagements with and about the Middle East. Of special significance is a paper that deals with the 25 January Revolution and the visual productions and effects thereof. How was the revolution experienced through the visual production of everyday life on the square? And how and what forms of visual engagements allow us to tell different façades of experiences and demands that occasioned the revolution? Cairo Papers in Social Science 31:3/12
Publication Date
2008
Document Type
Book Chapter
Book Title
Visual Productions of Knowledge Toward a Different Middle East
Editors
Hanan Sabea, Mark Westmoreland
ISBN
9789774165092
Publisher
American University in Cairo Press
City
Cairo
First Page
145
Last Page
166
Series
Cairo Papers in Social Science 31(3/4)
Keywords
visual production, middle east, photographic practices, Egypt, imaginary, knowledge production, arts, film
Recommended Citation
APA Citation
Allam, D.
(2008).Epistemological Intersections: Anthropology and Art - From Archive to Art Film: A Palestinian Aesthetics of Memory Reviewed. American University in Cairo Press. , 145-166
https://fount.aucegypt.edu/faculty_book_chapters/1128
MLA Citation
Allam, Diana
Epistemological Intersections: Anthropology and Art - From Archive to Art Film: A Palestinian Aesthetics of Memory Reviewed. American University in Cairo Press, 2008.pp. 145-166
https://fount.aucegypt.edu/faculty_book_chapters/1128