Photographic Practices and the Egyptian Imaginary: Intersecting Photography with Text: Reactions on a Working Process
Files
Department
Cairo Papers in Social Science
Abstract
This collection of essays builds on presentations and debates that were part of Cairo Papers 19th Annual Symposium, “Sights of Knowledge: Debates about Visual Production in the Middle East,” held in spring 2010. It also integrates commissioned contributions by other authors to reflect the wide scope of visual productions and engagements with and about the Middle East. Of special significance is a paper that deals with the 25 January Revolution and the visual productions and effects thereof. How was the revolution experienced through the visual production of everyday life on the square? And how and what forms of visual engagements allow us to tell different façades of experiences and demands that occasioned the revolution? Cairo Papers in Social Science 31:3/8
Publication Date
2008
Document Type
Book Chapter
Book Title
Visual Productions of Knowledge Toward a Different Middle East
Editors
Hanan Sabea, Mark Westmoreland
ISBN
9789774165092
Publisher
American University in Cairo Press
City
Cairo
First Page
79
Last Page
94
Series
Cairo Papers in Social Science 31(3/4)
Keywords
visual production, middle east, photographic practices, Egypt, imaginary, knowledge production, arts, film
Recommended Citation
APA Citation
Abaza, M.
(2008).Photographic Practices and the Egyptian Imaginary: Intersecting Photography with Text: Reactions on a Working Process. American University in Cairo Press. , 79-94
https://fount.aucegypt.edu/faculty_book_chapters/1124
MLA Citation
Abaza, Mona
Photographic Practices and the Egyptian Imaginary: Intersecting Photography with Text: Reactions on a Working Process. American University in Cairo Press, 2008.pp. 79-94
https://fount.aucegypt.edu/faculty_book_chapters/1124