Performances, Events, and Presentations

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  CASAR Student Discussion Series: ‘Does Social Media Bring More Harm Than Good?’

  The Prince Alwaleed Center for American Studies and Research CASAR

  CASAR Student Debate Series - Launched in Fall 2023:

  The Center of American Studies and Research (CASAR) launched a Student Discussion Series in Fall 2023 semester, it is a student-led debate on a plethora of current hot topics. In this student discussion series, students play the role of delving into topics together to understand one another. This event is broadcasted on Facebook live via the CASAR Facebook Page, where the entire record is still available to watch. Students passionately present their arguments in an organized manner, going back and forth between the two sides, and often students become excited about leading their side of the class with their perspectives. The winner presenting the best argument to support their opinion is awarded a certificate of appreciation, a special feature (and photo) on the CASAR website, FB & IG pages as well as an honorary special feature on the 'Speaker of the month' board at the center. One of the main goals of this series of discussions is to engage CASAR more with the undergraduate students of AUC and encourage them to explore our courses & ultimately enroll in our minor.

  The winner of this debate was Yomna Hisham Othman.

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  CASAR Student Discussion Series: Should Cultural Artifacts be Returned to Their Country of Origin?

  The Prince Alwaleed Center for American Studies and Research CASAR

  Student Debate Series - Launched in Fall 2023:

  The Center of American Studies and Research (CASAR) launched a Student Discussion Series in Fall 2023 semester, it is a student-led debate on a plethora of current hot topics. In this student discussion series, students play the role of delving into topics together to understand one another. This event is broadcasted on facebook live via the CASAR Facebook Page, where the entire record is still available to watch. Students passionately present their arguments in an organized manner, going back and forth between the two sides, and often students become excited about leading their side of the class with their perspectives. The winner presenting the best argument to support their opinion is awarded a certificate of appreciation, a special feature (and photo) on the CASAR website, FB & IG pages as well as an honorary special feature on the 'Speaker of the month' board at the center. One of the main goals of this series of discussions is to engage CASAR more with the undergraduate students of AUC and encourage them to explore our courses & ultimately enroll in our minor.

  The winner of this debate was: Mohanad Fouda

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  Exploring my Father's Rare Books, Magazines, and Newspapers Collection

  Amal Nagah Elbeshbishi

  This presentation was delivered at the a workshop under the title "Here be dragons: Navigating newspaper archives in Egypt and the Middle East". It provides background information about the Nagah Elbeshbishi collection which is held at AUC and Bibliotheca Alexandrina.

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  LEED’s Contribution to the United Nations’ Sustainable Development Goals

  Sherif Goubran, Thomas Walker, Carmela Cucuzzella, and Tyler Schwartz

  INTERNATIONAL CONFERENCE ON SUSTAINABILITY: DEVELOPMENTS AND INNOVATIONS February 19 -22, 2022 – Prince Sultan University Riyadh, KSA

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  Tawfiq el Hakim's Donkey Market play

  Tawfiq el Hakim's Donkey Market play

  The 2020-2021 CASA cohort perform The Donkey Market by Tawfiq al-Hakim as a final act before graduating from the program.

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  Macbeth by William Shakespeare

  Stancil Campbell

  Scenery Design for the AUC production of "Macbeth." Written by William Shakespeare. Directed by Lars Tatom. Scenery Design by Stancil Campbell. Costume Design by Jeanne Arnold. Lighting by Michael Wellborn. Technical Direction by Hazem Shebl. Stage Managed by Perihan Abdel Salam. Falaki MainStage Theatre. The American University in Cairo. Egypt. 2004.

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  Arab-U.S. Relations in Perspective

  Magda Shahin

  An enduring relationship between the U.S. and Egypt which extends beyond the military and economic sector will provide both countries with maximum opportunities for mutual gain. It is not exaggerated to say that Egypt today is getting itself back on track and regaining its traditional voice in the region. Nor is it an exaggeration to say the United States will need Egypt’s voice if the Trump Administration wishes to achieve more successful policies in the Arab World. Enhancing the cooperation between the two states rests on Trump’s acknowledgment of the importance of this relationship, which can begin with a successful and robust meeting between him and Sisi.

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  Al-Liss by Tawfiq al-Hakim

  Stancil Campbell

  Designs for the AUC production of "Al-Liss." Written by Tawfiq al-Hakim. Directed by Mahmoud El Lozy. Scenery and Lighting by Stancil Campbell. Scenery assistant Walid Hammad. Lighting assistant Haya Abdulrahim. Costumes by Nermine Saeed. Sound Design by Ahmed Salah. Technical Direction by David Wlodarski. Stage Managed by Sara Shaarawi. Malak Gabr Theatre. American University in Cairo. Egypt. 2009.

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  Al Mahrusa by Saad El-Din Wahba

  Stancil Campbell

  Scenery design for the American University in Cairo production of "Al Mahrusa." Written by Saad El-Din Wahba. Directed by Mahmoud El Lozy. Scenery co-designed by Jeanne Arnold and Stancil Campbell. Costume design by Dina El Sheik. Lighting Design by Sarah Youssef. Sound design by Robert Beshara. Technical Direction by Hazem Shebl. Falaki Mainstage Theatre. The American University in Cairo. Egypt. 2005.

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  Al-Nass Elli Taht by Noaman Ashour

  Stancil Campbell

  Designs for the AUC production of "Al-Nass Elli Taht." Written by Noaman Ashour. Directed by Mahmoud El Lozy. Scenery and Lighting by Stancil Campbell. Costumes by Nermine Said. Technical Direction by Scott Yuille. Stage Managed by Laila Youssef. Malak Gabr Theatre. American University in Cairo. Egypt. 2012.

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  A Silly Goose by Georges Feydeau

  Stancil Campbell

  Lighting Design for the AUC production of "A Silly Goose." Written by Georges Feydeau. Directed by Tom Markus. Scenery by Richard Block. Scenery assistant Jeff Hinchee. Costumes by Jeanne Arnold. Sound by Lars Tatom. Technical Direction by Hazem Shebl. Stage Managed by Perihan Abdel Salam. Falaki MainStage Theatre. The American University in Cairo. Egypt. 2005.

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  The Crucible by Arthur Miller

  Stancil Campbell

  Designs for the AUC production of "The Crucible." Written by Arthur Miller. Directed by Frank Bradley. Scenery and Lighting by Stancil Campbell. Design assistant Hesham El Sabban. Costumes by Jeanne Arnold. Technical Direction by Mohamed Talaat. Stage Managed by Kenzy Abdel Aziz. Malak Gabr Theatre. American University in Cairo. Egypt. 2015.

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  The Odd Couple by Neil Simon

  Stancil Campbell

  Lighting design for the AUC production of "The Odd Couple (Female Version)." Written by Neil Simon. Directed by Leila Saad. Scenery design by Nermine Amer. Costume design by Nermine Said. Lighting design by Stancil Campbell. Lighting design assistant Nezar Alderazi. Technical Direction by David Wlodarski. Stage Managed by Jihan Shaarawi. The Gerhart Theatre. American University in Cairo. Egypt. 2010.

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  Three Sisters by Anton Chekhov

  Stancil Campbell

  Scenery design for AUC production of "Three Sisters." Written by Anton Chekhov. Directed by Frank Bradley. Scenery by Bill Forrester. Costumes by Jeanne Arnold and Nadeen Lotayef. Lighting by Stancil Campbell. Technical Direction by David Wlodarski. Stage Managed by Yasmine Riad. Malak Gabr Theatre. American University in Cairo. Egypt. 2010.

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  Antigone by Sophocles

  Stancil Campbell

  Scenery design for AUC production of "Antigone." Written by Sophocles. Directed by Frank Bradley. Scenery by Stancil Campbell. Costumes by Jeanne Arnold. Lighting by Michael Wellborn. Falaki Main Stage Theatre. American University in Cairo. Egypt. Spring 2002 and remount Fall 2002.

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  Grease by Jim Jacobs and Warren Casey

  Stancil Campbell

  Designs for the AUC production of "Grease." Written by Jim Jacobs and Warren Casey. Directed by Paul Mitri. Scenery and Lighting by Stancil Campbell. Costumes by Janice Benning. Technical Direction by Hazem Shebl. Wallace Theatre. American University in Cairo. Egypt.

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  Isis Habibati by Mikhail Roman

  Stancil Campbell

  Designs for the AUC production of "Isis Habibati." Written by Mikhail Roman. Directed by Mahmoud El Lozy. Scenery and Lighting by Stancil Campbell. Costumes by Nermine Said. Technical Direction by David Wlodarski. Falaki Studio Theatre. American University in Cairo. Egypt

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  Mad Forest by Caryl Churchill

  Stancil Campbell

  Designs for the AUC production of "Mad Forest." Written by Caryl Churchill. Directed by Frank Bradley. Scenery and Lighting by Stancil Campbell. Lighting Design Assistant Ziad Osman. Costumes by Dina Abdel Aziz. Technical Direction by Hazem Shebl. Stage Managed by Nadeen Lotayef. Malak Gabr Theatre. American University in Cairo. Egypt. 2012.

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  One Flew Over the Cuckoo's Nest by Ken Kesey and Dale Wasserman

  Stancil Campbell

  Designs for the AUC production of "One Flew Over the Cuckoo's Nest." Novel by Ken Kesey and play by Dale Wasserman. Directed by Mark Mineart. Scenery and Lighting by Stancil Campbell. Costumes by Jeanne Arnold. Sound by David Tawfik. Technical Direction by Scott Yuille. Stage Managed by Nada Soliman. Malak Gabr Theatre. American University in Cairo. Egypt. 2012.

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  Redwood Curtain by Lanford Wilson

  Stancil Campbell

  Lighting design for the AUC production of "Redwood Curtain." Written by Lanford Wilson. Directed by Lars Tatom. Scenery by Luke Cantarella. Lighting by Stancil Campbell. Costumes by Jeanne Arnold. Technical Direction by Hazem Shebl. Falaki Mainstage Theatre. American University in Cairo. Egypt. 2005.

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  School for Wives by Moliere

  Stancil Campbell

  Scenic design for AUC Production of "The School for Wives." Written by Moliere. Directed by Frank Bradley. Scenery by Stancil Campbell. Costumes by Jeanne Arnold. Lighting by Donna Ruzika. Musical Direction by John Baboukis. With Mahmoud El Lozy and Laila Saad. Technical Direction by David Wlodarski. Stage Managed by Haya Abdulrahim. Malak Gabr Theatre. American University in Cairo. Egypt. 2009.

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  Taming of the Shrew by William Shakespeare

  Stancil Campbell

  Scenery design for the AUC production of "Taming of the Shrew." Written by William Shakespeare. Directed by Leila Saad. Scenery by Stancil Campbell. Design Assistant Sara Sharawi. Lighting by Kelly Allison. Costumes by Jeanne Arnold. Guitar music by Nathan Fischer. Technical Direction by David Wlodarski. Stage Managed by Yasmine Riad. Malak Gabr Theatre. American University in Cairo. Egypt. 2010.

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  The Game of Love and Chance by Pierre Marivaux

  Stancil Campbell

  Designs for the AUC production of "The Game of Love and Chance." Written by Pierre Marivaux. Translated by Oscar and Adrienne Mandel. Directed by Mahmoud El Lozy. Scenery and Lighting by Stancil Campbell. Costumes by Jeanne Arnold. Props by Sally Abed. Technical Direction by Mohamed Talaat. Stage Managed by Yacoub Masri. Malak Gabr Theatre. American University in Cairo. Egypt.

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  The Illusion by Pierre Corneille

  Stancil Campbell

  Designs for the AUC production of "The Illusion." Written by Pierre Corneille. Adapted by Tony Kushner. Directed by Frank Bradley. Scenery and Lighting by Stancil Campbell. Costumes by Kegham Djeghalian. Technical Direction by Michael Earl. Stage Managed by Yasmine Riad. Falaki Main Stage Theatre. American University in Cairo. Egypt

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  Traveller Without Luggage by Jean Anouilh

  Stancil Campbell

  Designs for AUC production of "Traveller Without Luggage." Written by Jean Annouilh. Directed by Mahmoud El Lozy. Scenery and Lighting by Stancil Campbell. Costumes by Jeanne Arnold. Technical Direction by Hazem Shebl. Falaki Studio Theatre. American University in Cairo. Egypt. 2001.