Submissions from 2025
Fragments of Encounters: The Filmic Chronicles of Claude Lévi-Strauss and Dina Dreyfus in Indigenous Villages in Brazil, Rodrigo Brum and Ana G. Coutinho
Submissions from 2022
From the New Editorial Team of “Third Space”, Lucia Sorbera and Bahia Shehab
Submissions from 2021
Behind High Walls, Tania Kamal-Eldin and Frank Bartscheck
Experiments in eden: Mid-century artist voyages into the mesopotamian marshlands, Elizabeth Rauh
A History of Arab Graphic Design Webinar, Bahia Shehab and Haytham Nawar
Submissions from 2020
Collective bread diaries: cultural identities in an artificial intelligence framework, Haytham Nawar
Submissions from 2019
Outside Looking In: Unexpected Encounters of Dramatic Time and Place, Frank Goheen Bradley
At the Corner of a Dream: A Journey of Revolution and Resistance: The Street Art of Bahia Shehab, Bahia Mohamed Deeb Shehab
Submissions from 2018
Documentary Theatre in Egypt: devising a new play in Cairo, Jillian Campana
Playwriting as Participatory Action Research, Jillian Campana
Film review of 1948: Creation and catastrophe, Terri Ginsberg
Designing a generative pictographic language, Haytham Nawar
Book Chapters from 2016
Performing and rewriting Solitaire between languages and cultures: A practitioner's testimonial, Dalia Basiouny
‘Iraqi’ cinema since the US-led invasion of 2003, Terri Ginsberg
Special issue on film and video, Terri Ginsberg
Discursive battle lines: Al Qadisiyya and the politics of time and reception, Malek Khouri
Book Chapters from 2014
Two transient plays: A streetcar named desire and camino real, Frank Bradley
Rat Diaries, Shady El-Noshokaty
Between the poles of eisensteinian aesthetics: Editing patterns in peter watkins’ biographical films, Nenad Jovanovic
Submissions from 2013
The Plasticity of the Syrian Avant-Garde, 1964-1970, Anneka Lenssen
Introduction: The Longevity of Rupture: 1967 in Art and its Histories, Anneka Lenssen, Dina Ramadan, Sarah A. Rogers, and Nada Shabout
Iconoclasm: The loss of iconic image in art and visual communication, Nagla Samir
Thinking through Egyptian Tradition: The Potential of Pre-Colonial Craft Working Methods in Art Education, Ann Shafer