Submissions from 2022
From the New Editorial Team of “Third Space”, Lucia Sorbera and Bahia Shehab
Submissions from 2021
Behind High Walls, Tania Kamal-Eldin and Frank Bartscheck
Experiments in eden: Mid-century artist voyages into the mesopotamian marshlands, Elizabeth Rauh
A History of Arab Graphic Design Webinar, Bahia Shehab and Haytham Nawar
Submissions from 2020
Collective bread diaries: cultural identities in an artificial intelligence framework, Haytham Nawar
Submissions from 2019
Outside Looking In: Unexpected Encounters of Dramatic Time and Place, Frank Goheen Bradley
At the Corner of a Dream: A Journey of Revolution and Resistance: The Street Art of Bahia Shehab, Bahia Mohamed Deeb Shehab
Submissions from 2018
Documentary Theatre in Egypt: devising a new play in Cairo, Jillian Campana
Playwriting as Participatory Action Research, Jillian Campana
Film review of 1948: Creation and catastrophe, Terri Ginsberg
Designing a generative pictographic language, Haytham Nawar
Book Chapters from 2016
Performing and rewriting Solitaire between languages and cultures: A practitioner's testimonial, Dalia Basiouny
‘Iraqi’ cinema since the US-led invasion of 2003, Terri Ginsberg
Special issue on film and video, Terri Ginsberg
Discursive battle lines: Al Qadisiyya and the politics of time and reception, Malek Khouri
Book Chapters from 2014
Two transient plays: A streetcar named desire and camino real, Frank Bradley
Rat Diaries, Shady El-Noshokaty
Between the poles of eisensteinian aesthetics: Editing patterns in peter watkins’ biographical films, Nenad Jovanovic
Submissions from 2013
The Plasticity of the Syrian Avant-Garde, 1964-1970, Anneka Lenssen
Introduction: The Longevity of Rupture: 1967 in Art and its Histories, Anneka Lenssen, Dina Ramadan, Sarah A. Rogers, and Nada Shabout
Iconoclasm: The loss of iconic image in art and visual communication, Nagla Samir
Thinking through Egyptian Tradition: The Potential of Pre-Colonial Craft Working Methods in Art Education, Ann Shafer